In "I" there is a relationship of identity formation-creation of imaginaries from the wishes of the person within a publishing market, if we lose corporeal contact and gain post corporeal contact, that is, we transfigure the barrier from the body to a space where real contact is no longer necessary. Then it is no longer needing changes in our body but changes in our hyperbody-full of data-nose change, breast augmentation, hair trimming will be changed to exact numbers of saturation increase, spot correction, contrast increase, change skin color, among others and a thousand options that each image market offers us. A study worthy of a media generation, the more abstract you are, the more you will become someone, the more followers and correspondents you have, you will belong forever ... or for a few seconds to a world full of happiness and spectacle.

These images go beyond the conventional parameters of image change, with the appropriation of virtuality the new surgeon will precede media abstraction. If face-to-face interaction is decreasing, what need do we have to change our image if everything will be via the internet? Images can come pre-configured to make us be what we want, what matters more? The raw photo in the first moment of capture or after a process to look more attractive. What is manipulated ceases to be, recreates and renews its image, mutates. This is how we respond to our body, to situations and to life; the nonconformity and despair of creating constant mutations of identifications, perfecting our imperfection every day.